(Source : isancice)

robespierre19:

valeriacavalleria:

À bout de souffle (1960)

 

robespierre19:

valeriacavalleria:

À bout de souffle (1960)


 

cinemathequefr:

Alain Resnais (1922 - 2014)Je t’aime, je t’aime (1968)

cinemathequefr:

Alain Resnais (1922 - 2014)
Je t’aime, je t’aime (1968)

oh يا ريت …
si seulement plus souvent.

oh يا ريت …
si seulement plus souvent.

(Source : craftypantscarol, via dylzo)

ancientpeoples:

Bronze Figure of Bastet
900 BC - 600 BC
Late Period
This solid cast figure of the goddess Bastet represents her as a woman with cat’s head wearing a heavily patterned long garment. Her eyes have gold inlays and her ears are pierced for earrings. Of all the maned lion goddesses who were revered for their ferocity, Bastet alone was later transformed into the less terrible cat. The female cat was particularly noted for her fecundity, and so Bastet was adored as goddess of fertility and, with less obvious logic, of festivity and intoxication. As evidence of her fecundity no less than four kittens sit at her feet. Another perches inside the sistrum or Egyptian rattle, which she carries in her hand to symbolize the other facet of her personality, for it is a musical instrument connected with merrymaking. Originally there were two horizontal rods inside the hoop bearing metal discs intended to make a clashing sound when the instrument was shaken. The face of the goddess Hathor, who was also connected with music, appears on the sistrum’s handle. Across her chest Bastet carries an aegis or broad collar, surmounted by a lion goddess’ head wearing a sun disc, perhaps representing Bastet herself in her original fierce manifestation. The ‘aegis’ is probably to be interpreted as the top of the counterpoise to a ‘menyet’ collar of loosely strung beads, another musical instrument connected with merrymaking; when shaken the beads would clack together. There is a hieroglyphic text around the edges of the plinth, largely eroded or erased.
(Source: The British Museum)


 سارة أوحنا کجای؟

ancientpeoples:

Bronze Figure of Bastet

900 BC - 600 BC

Late Period

This solid cast figure of the goddess Bastet represents her as a woman with cat’s head wearing a heavily patterned long garment. Her eyes have gold inlays and her ears are pierced for earrings. Of all the maned lion goddesses who were revered for their ferocity, Bastet alone was later transformed into the less terrible cat. The female cat was particularly noted for her fecundity, and so Bastet was adored as goddess of fertility and, with less obvious logic, of festivity and intoxication. As evidence of her fecundity no less than four kittens sit at her feet. Another perches inside the sistrum or Egyptian rattle, which she carries in her hand to symbolize the other facet of her personality, for it is a musical instrument connected with merrymaking. Originally there were two horizontal rods inside the hoop bearing metal discs intended to make a clashing sound when the instrument was shaken. The face of the goddess Hathor, who was also connected with music, appears on the sistrum’s handle. Across her chest Bastet carries an aegis or broad collar, surmounted by a lion goddess’ head wearing a sun disc, perhaps representing Bastet herself in her original fierce manifestation. The ‘aegis’ is probably to be interpreted as the top of the counterpoise to a ‘menyet’ collar of loosely strung beads, another musical instrument connected with merrymaking; when shaken the beads would clack together. There is a hieroglyphic text around the edges of the plinth, largely eroded or erased.

(Source: The British Museum)

سارة أوحنا کجای؟


Je t’aime, je t’aime, 1968.
Directed by Alain Resnais


a worktable

( « … ?
— Un film d’Alain Resnais. » )

Je t’aime, je t’aime, 1968.

Directed by Alain Resnais

a worktable

( « … ?

— Un film d’Alain Resnais. » )

(Source : whenwewerecool)

jlgplusjlg:

«Alain Resnais est le deuxième monteur du monde après Eisenstein» Jean-Luc Godard.
Source photo

jlgplusjlg:

«Alain Resnais est le deuxième monteur du monde après Eisenstein» Jean-Luc Godard.

Source photo

(via robespierre19)

"Console‑toi. Tu ne me chercherais pas si tu ne m’avais trouvé."

— Blaise Pascal, Pensées (via robespierre19)

Alain Resnais. (1968)

Alain Resnais. (1968)

(Source : thechosenjuan, via robespierre19)